The literary discourse has been dealt with in different ways, all of which were outlined at the outset on the contextual aspects according to psychological, historical, and social approaches in an attempt to find out the aesthetics of the text. However, this has excluded the artistry of language, so new theories have established this structure through systematic approaches. They enclosed the text and isolated it from the environment that it produced, based on the cognitive frameworks and basic concepts of linguistics and considering the text as an independent unit. Thus, they eliminated the role of the author and the context, prompting critics to search for new outlets that give the text an outlet through which to make its aesthetics and artistry and give different connotations. الملخّص The cultural criticism is one of the most prominent postmodern critical strategy that appeared in the critical arena and came as a response to the structural approaches that viewed the literary text as a linguistic body, in which it starts from the text and returns to it to nullify the author’s role and the context that contributed to the formation of these linguistic structures. The cultural criticism gave a new reading to the literary text closed to its linguistic structure, and it opened up to its cultural component and thus became a cultural incident whose its explanation and interpretation returns to the context that produced it. The literary text has transcended its aesthetic artistic value, and has become a cultural component that considers the systems that contributed to its formation, which are hidden behind the linguistic aesthetic and are implicit and hide the flaws of the culture. The cultural criticism acts as a procedure of digging into the texts and elucidating the cultural systems that have controlled the ideas and the mentalities and leaked through their hegemony into the texts. It takes from the culture component its material, including manifestations, behavior, beliefs, arts, and literature. Nevertheless, it attaches importance to the marginal who was excluded by the institution or the literary approaches that focused on the aesthetics of the text itself, considering this criticism came in a postmodern period that dislocated the general order, and has undermined the center and brought the margin to the fore, taking a space for it in critical studies, and from this literature, it is the feminist literature. The feminist writing was associated with struggling movements that led women to claim their material and social rights at the beginning, and then sought the equality with men in all rights. So, for this reason the content of these narratives changed in different and successive periods, as their concern in the beginning was to achieve themselves and their existence and to keep pace with the man’s writing, and then seek to contradict the male model and search for a text whose content is the woman’s concerns and problems; This text was the one which bore its privacy and raged around the debate and the controversy.